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Bicycle Thieves(Italian: Ladri di biciclette; originally entitled The Bicycle Thief in the United States) [3] is a 1948 Italian film directed by Vittorio De Sica. The film adheres to the story of a bad daddy browsing post-World Battle II Rome for his stolen bicycle, without which he will shed the work which was to be the redemption of his young household.

Adjusted for the display by Cesare Zavattini from a novel by Luigi Bartolini, and also starring Lamberto Maggiorani as the desperate father and Enzo Staiola as his fearless young son, Bike Thieves is extensively considered as a masterpiece of Italian neorealism. It received an Academy Honorary Award in 1950 as well as, just four years after its launch, was considered the best film of all time by Sight & Audio journal's survey of filmmakers as well as doubters; [4] fifty years later the same poll rated it 6th amongst greatest-ever movies. [5] It is also one of the top 10 amongst the British Movie Institute's listing of movies you need to see by the age of 14.
In the post-World Battle II Val Melaina area of Rome, Antonio Ricci (Lamberto Maggiorani) is hopeless for job to support his partner Maria (Lianella Carell), his kid Bruno (Enzo Staiola), as well as his small child. He is offered a position publishing advertising and marketing expenses, yet informs Maria that he could decline due to the fact that the task needs a bike. Maria resolutely removes the bed of her dowry bedsheets-- valued ownerships for a bad family-- and takes them to the pawn shop, where they bring enough to redeem Antonio's pawned Fides brand name bicycle. (A remarkable shot presents to the sheets being contributed to a hill of bed linen pawned by various other households.) They cycle house-- Maria on the bar-- enjoying their good fortune. In the process, Maria urges that she has to go to someone. Antonio uncovers that it is a seer that had actually forecasted that Antonio would certainly find work and that Maria owes her money. Antonio is derisive of Maria's belief in the seer, as well as teases her regarding spending money on such foolishness.

On his initial day of work Antonio is atop a ladder when a young man (Vittorio Antonucci) snatches the bicycle. Antonio offers chase however is shaken off the path by the thief's confederates. The authorities take a report but alert that there is little they can do. Encouraged that taken goods frequently surface at the Piazza Vittorio market, Antonio goes there with several buddies as well as his small kid Bruno. Finding a bike that could be Antonio's they mobilize a policeman, yet the serial numbers do not match.

At the Porta Portese market Antonio and also Bruno place the burglar with an old man. They pursue the thief however he eludes them. They after that confront the old guy demanding disclosure of the thief's identity, however the old male invents lack of knowledge. They follow him right into a church where, after interfering with the solution, he slips away from them. Bruno, then latest loss, appears disappointed prior to his papa that upon seeing this puts his kid, substantially disturbing the kid. Antonio has Bruno wait by a bridge while Antonio searches for the old guy. Suddenly there are weeps that a boy is drowning. Hurrying toward the turmoil Antonio is alleviated to see that the sinking boy is not Bruno. Antonio alleviates Bruno to lunch in a restaurant, where they temporarily neglect their problems, but on seeing a rich family delighting in a fine meal, Antonio is again taken by his tragedy as well as tortures himself by reckoning his lost revenues.
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